Review of Kenai by Dave Dobson

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The strength of this book is in its world building. I understand from the author’s note at the end that this is not the first book written in this universe, so it doesn’t surprise me that the world feels real, lived in, and richly imagined.

The cover of Kenai. A female figure wearing a space suit holding a gun.

Pacing issues affected my overall enjoyment. The first third of the book, I was ripping through pages, enjoying this badass space marine uncovering a potent mystery that really grabbed me. After that, Kenai becomes a very different kind of book, and a much slower-moving one.

There’s a space marine thriller in here, which I thought was superlatively written. But that story goes away about a third of the way in, and is replaced with a slow-moving, intellectual first contact story. Fans of that kind of thing, though, will have to go through the space marine thriller opening to get to it.

Another strength is the narrative voice. Jess the person shines through brilliantly at all times, and I feel like I know her now. The heartwarming ending felt like something she deserved after what she’d been through.

Much of what this book is about cannot be revealed without spoiling the mystery being laid out in the first third of the book, that I’m struggling to find ways to talk about some things without depriving readers of the joy of discovery.

Suffice it to say that this book shares a mind-bending sci fi concept with a major Hollywood blockbuster of the last few years, and if you read Kenai, and you make it to the big reveal, you will instantly know which movie I’m talking about.

Grab your copy here.

Do you like science fiction and space opera? Try my Exile War series! The first book, Onslaught, is free on all U.S. retailers, and only 99 cents if there’s anywhere it isn’t free. Prefer mysteries and thrillers? Check out my Sherman Iron Mysteries. The first book, Irons in the Fire, is free on all U.S. retailers and only 99 cents where it isn’t free.

Review of Any Minor World by Craig Schaefer

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Any Minor World is awesome! Do you like thrills and suspense? Like action and tough guys? Like superheroes and comic books? Then you’re going to love Any Minor World. I read it as my first semifinalist read of the Self Published Science Fiction Competition, and boy am I glad I chose this first!

The plotting is excellent. Characters are given pasts to overcome, which they do at exactly the right moment. Crucial details are hinted at and set up, yet not given away. At about 75% of the way through the book, I was ready to ding the author for a big spoiler, but it turned out to be 180 degrees off of what I thought was coming. Just grade A top quality writing all the way around. I couldn’t stop turning pages.

And the names! “The Midnight Jury” is a $%#&@* phenomenal name for a Vigilante super hero. Trigger Mortis is just as good for a gun-wielding assassin. And “The Loremonger” for a villain who collects ancient mystical tomes is top notch as well.

On the other hand, Noir York doesn’t work as well. It’s too hard to pronounce correctly.

There are some content warnings. The violence gets gruesome at times, especially toward the end. Mild sexual content. And black magic. A lot of black magic.

I can foresee the possibility that there might be some controversy about this book within the contest. There’s an authentic debate to be had about whether this is science fiction. Urban fantasy? No question. Urban paranormal? Certainly. But whether that is the same thing as being science fiction is a bigger question. I reread Edpools review of it, to see his thoughts. I’m not ready to answer the question yet.

What I do have is a recommendation. Read Any Minor World. This is an extremely good book, and it has something to offer fans of multiple different genres. Click here to grab your copy on Amazon.

Do you like science fiction and space opera? Try my Exile War series! The first book, Onslaught, is free on all U.S. retailers, and only 99 cents if there’s anywhere it isn’t free. Prefer mysteries and thrillers? Check out my Sherman Iron Mysteries. The first book, Irons in the Fire, is free on all U.S. retailers and only 99 cents where it isn’t free.

SPSFC3 Books I loved that didn’t make semis

Now that my team has announced our two semi-finalists, I want to send personal shout-outs to a few books I read as part of the judging process.

Both of the team’s semi-finalists were also my top two choices (Guess I must have good taste!) But my next up after those two was Stargun Messenger by Darby Harn. Man, this book! It was all about the author’s unique voice. It had some things that kept it out of the top two, but this was the book that most made me think, “This. Is. A. Writer!”

Likewise, The Sequence by Lucien Telford did have some reasons why it didn’t move on in the contest, but the author’s skill in talking about genetic engineering just gripped me viscerally. In my own Exile War series, the characters all kind of take the attitude of “Oh yes, the genetic engineers were very horrible, but that was all centuries ago.” In The Sequence, it’s not centuries ago. It’s right now, it’s in your face. And the horrors of what it really takes to turn the human genome into your own personal art project will blow your mind. I wish the whole world could read this book before we go too far down this path, so we could be warned of what lies hidden underneath the promises of genetic engineering.

Red Sky at Morning by J. Daniel Layfield was the most “Greenwood-esque” book I’ve read so far in the contest. I confess that this is somewhat vain praise, but I felt likeI could have written this book. It’s not like my sci fi though, it’s like my thrillers. As I was reading it, every single plot point made me nod approvingly. Layfield has a knack for thrillers.

I believe there are some takeaways for all SPSFC writers and future potential entrants. Truly, genuinely, I mean this, it’s a subjective process. Your book may not advance, but that doesn’t mean you didn’t find someone who loved it. Never walk away thinking “I didn’t make the semis, I must not be that good a writer.” Somewhere in the team that had your book, there’s probably one judge who really did enjoy it. These books didn’t get through, but I loved them.

The contest is designed so that you have to win the approval of a whole team to move on, and that’s as it should be. Most writers want to appeal to a broad audience. But everyone who’s ever drilled down deep into the Amazon subgenres knows that there’s also such a thing as a niche. I read some books that were very well attuned to my niche, and I’m grateful to the authors for entering them.

Review of The Mimameid Solution by Katherine Kempf

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This deeply dystopian post-apocalyptic story steeped in Nordic mythology centers around a conflict between the Norse and the Celts. It takes place in a future after “Ragnarok,” a cataclysm that involves a string of volcanic eruptions, islands sinking underwater, and many other seemingly climate-centered catastrophes.

Stragglers wander the frozen north scraping together leftovers from “The Time Before” to survive. The Celts hunt the terrain, treated by the POV characters as rampaging barbarians to be feared. Meanwhile those Norse who have escaped the fate of stragglers live in an underwater facility called “Mimameid.”

But Mimameid is no paradise either, and our POV characters, Lysander and Petra, soon find themselves trapped between two warring tribes.

I loved the huge twists and giant reveals in this book. They really whetted my appetite for more. Moreover, the explosive conclusion had me desperately ripping through pages to find out what happened.

On the other hand, pacing issues got in the way. The huge twists and reveals were interspersed with long portions of just “life in Mimameid” that moved slow.

That epic conclusion was robbed of some of its power because I had trouble suspending my disbelief regarding one major character’s heartbreakingly difficult choice.

There’s a love story in here, but not a genre romance. No explicit sex. Profanity is rare and mostly in Nordic or Gaelic languages, so should be a safe read for the family. (Don’t worry, the book is in English, but with the languages of the region thrown in for realism. I liked it.)

Lysander is a good, clean morally upright protagonist for whom I have no trouble rooting. I liked him, I always looked forward to his chapters.

Read this if you: Like post-apoc, like cli-fi, are interested in norse culture and mythology, or are interested in how it might be possible to build an entire society underwater.

Maybe aimed at someone other than you if: you’re an adrenaline junkie in your reading; the doses might not come fast enough for you.

Grab your copy here!

Review of The Automaton by Ian Young

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This is an elaborately imagined future history telling the tale of the decline and fall and rise and fall (and rise again?) of humanity. It starts off with a good hook and a mystery begging to be solved.

It slows down in the middle, and the majority of the book is flashbacks. That structure, in which an MC in the narrative’s “present” is reviewing records of what happened in the narrative’s “past” robs most of the flashbacks of suspense. 

The ending is heartwarming and hopeful. Grab your copy by clicking here!

Review of Stargun Messenger by Darby Harn

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Any review of Stargun messenger has to start with the prose. Darby Harn is an artist with words. A poet. The language of this novel soars and swirls like oil on canvas, painting pictures and dreaming dreams that go far beyond the simple black and white of words on page. I envy this facility with language. I encourage everyone to take a look at this book just to experience wild flights of writing as an art form.

It’s greatest strength is also is greatest weakness. Stargun Messenger never pauses to explain. Before too long, I stopped actually understanding what was happening. Beauty, loss, love, fear… I experienced emotions guided by the author’s amazing ability to draw feelings out of the reader by an elegant turn of phrase or a word in a never-before-imagined context. But I didn’t understand what was going on.

The plot begins with a superb space opera setup. Our Heroine, Astra Idari, is a Stargun, a garden variety gun for hire who gets a lot of her work from an outfit called the Scath. The Scath have a monopoly on the fuel that makes faster than light travel possible, filamentium. Whenever someone steals it, the Scath pay Idari, or someone like her, to recover it. On just another mission to recover just one more batch of stolen filamentium, Idari, makes a horrifying discovery. Creatures of myth and legend, living stars known as Lumenor, are real. They exist. Idari meets one called Emera.

And the precious filamentium is nothing less than their blood.

The Scath suck the blood of living stars for starship fuel they can monopolize and profit on. And with that, the heroic quest is on.

If you want to enjoy Stargun Messenger, you must leave behind questions like “how does it work” and let the author guide you through an epic poem. Love is beautiful. Resistance to evil, even at the risk of everything, is glorious. Becoming who you were always meant to be is a fountain of joy.

At some point, though, a reader wants to be able to process what’s going on. The reader — this one, at least — hits a stage in this novel where one just wants Idari and Emera to “walk down a hall,” instead of waft on flights of hope until journey and destination merge elegant into singularity.

The Black Moment (Every romance must have a Black Moment, and this is assuredly a romance between Idari and Emera) loses it’s power because I don’t have a genuine understanding of what happened, only that the pain was abyssal anguish.

Judged by the beauty of its language alone, this could be the best book I’ve read in this contest. But in the end, beautiful language alone does not make a book. You must tell a story. Harn definitely did this, but I don’t really know what happened in it. The only thing I can say for sure is how it felt.

The book also has a political message. My review isn’t about that, only about the beauty of the prose and the entertainment experience of the book.

Grab your copy here, and I do believe you should grab one, just to experience such painterly expression with words.

 

Review of Tasmanian Gothic by Mikhaeyla Kopievsky

This powerful book overflows with suspense so thoroughly that I spent most of the read looking away for a while until I had the courage to go on. It’s a richly detailed world filled with believable characters and tragedies.

Yes, tragedies. The book is called “Gothic” for a reason. The characters, particularly the main character, endure brutal pain almost nonstop from the beginning of the book. Almost everything works out hard for the MC.

Our story begins with the MC living in a world divided between two warring drug lords. She cooks product for one and is hated by the other. Her drug-addicted and abusive ex comes looking for a fix, she has to call an enforcer from her “side” in the war to help, and this kicks off a series of horrors that pursue her until the very end.

Drug gangs, mutants, and a stark divide between rich and poor place this firmly into the camp of dystopia.

I enjoyed the light touch on the romance element. It’s there, but definitely not overwrought.

I wouldn’t normally choose this book. The violence inflicted on and by the MC is too graphically described for me. However, to paraphrase the immortal J. Evans Pritchard, the subject of the book is serious, and the objective has been artfully rendered. For readers who do like grimdark, this book is for you.

Buy your copy here:

Review of The Widow Spy by Martha Peterson

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Like spy stories? Like Espionage? This book is the real thing. A non-fiction account of being a CIA Case Officer in Moscow at the height of the Cold War. Learn about dead drops, car tosses, avoiding surveillance, and more in this real first hand account of an American captured by the KGB in Moscow. I loved this book.

The author, Martha Peterson, was one of the first female Case Officers in the Central Intelligence Agency, stationed in Moscow during the Cold War. She helped run one of the most successful agents of the day until she was captured by the KGB.

The style is very straightforward, just a simple accounting of the facts. It’s easy to imagine, while reading it, that this is how the CIA teaches its officers to file reports.

If you have any interest at all in intelligence or the Cold War, I highly recommend The Widow Spy. Get yours here.

Do you like science fiction and space opera? Try my Exile War series! The first book, Onslaught, is free on all U.S. retailers, and only 99 cents if there’s anywhere it isn’t free. Prefer mysteries and thrillers? Check out my Sherman Iron Mysteries. The first book, Irons in the Fire, is free on all U.S. retailers and only 99 cents where it isn’t free.

Deepest Cut Excerpt

Enjoy this free sample of my upcoming historical thriller The Deepest Cut

Prologue

It’s 1982.

The U. S. And the Soviet Union prosecute a silent struggle for ideological supremacy between Capitalism and Communism. To keep the horror of all out thermonuclear war at bay, the combatants do their dirtiest deeds under cover of darkness, with full deniability. Rather than soldiers and armies, the battles are fought by spies and special forces in clashes than never see the light of a newspaper article.

They call it the Cold War, but in trouble spots around the world it flares dangerously hot.

Chapter One

Marco Villarta was dead. Murdered. And Clara’s pistol had been used to kill him.

She stood wrapped in darkness on a street in Panama City’s Terraplén district. Every passing second upped the danger of being caught. At three-thirty in the morning, revelers coming home late from the clubs or workers whose shift started early could pass her at any moment, and the longer she stood there looking at Marco’s body, the greater the risk.

Even so, Clara Verona wasted precious seconds staring. Marco was dead. Her mission had probably died with him.

Night wrapped her in anonymity for now, but not for long. When the sun rose, it would reveal a woman with blonde hair in a ponytail, brown eyes, skin that tanned easily here in the tropics, and the lean physical fitness of someone who used her muscles for a living. Long ago, the Verona family earned their money on a fishing boat, and Clara had grown up helping her father with it.

Around her, the rain tapered off, leaving only sprinkles. The streets mumbled and groaned as they woke up. Her jeans and loose blouse felt damp against her skin; her hair clung to her scalp.

The warbling tone of sirens sounded in the distance, a sign that the time for staring was over. Clara scooped up the 9mm Makarov pistol lying beside her dead contact. It was the standard-issue sidearm of the Soviet military. She’d been issued it when she’d been given this assignment. Discovering it missing from her room was what had brought her out here tonight. She’d found her pistol, and found far worse besides.

The gun was obviously intended to be discovered with the dead body. No sense letting her enemies’ scheme go as planned, whoever the enemies were, so she recovered it. Clara flicked the safety on, then shoved the weapon mostly inside the pocket of her jeans.

Something had gone wrong—badly wrong. A simple assignment to infiltrate the Communist Revolutionary Front had just turned deadly, and Clara suspected she was going to need that pistol. Whoever had killed Marco couldn’t possibly have any good intentions toward her, or toward her mission.

In Terraplén the buzz of people grew as dawn drew inexorably nearer. Poverty was the norm here, and the foot traffic consisted largely of service industry workers coming home after the bars closed. Dock workers and laborers made up the rest. Ramshackle two-story buildings bordered tiny, cramped streets. Only a short distance from her location, unfortunately, sat the headquarters of the Guardia Nacionale, or National Guard, Panama’s combined military and police.

Which, of course, meant they were quick to respond to the scene of the murders. A police car pulled into the narrow street behind her, visible only because of its flashing sirens, cutting off one of the two choices of escape routes. A voice shouted “Usted queda detenida!” at her.

That was the Spanish version of “You’re under arrest,” but Clara paid it no mind. She took off sprinting like a bolt of lightning.

She rounded the corner in front of her just before a second police car could cut it off. She immediately took another turn and cornered again, but the sound of racing footsteps behind her would not go away. Sirens wailed all around her. Shouts of “Detenida!” echoed off the buildings.

Clara had been very well trained in police procedure, and she knew that the police would swamp the streets with officers until they caught the suspect. It was a standard practice worldwide.

Her training also included the fact that the National Guard of Panama, awash in a culture of corruption that sank down from the top, had far different ideas of due process than cops in America. Getting caught was not an option, so she ran faster. But the footfalls behind her got louder, accompanied by more shouts of “Usted queda detenida!”

She whipped around a corner. In the fraction of a second she was out of view of the cops, instead of sprinting on, she pressed her back to the wall of the building and waited. She drew her pistol back out of her pocket. Seconds later a green-uniformed officer rounded the edge of the structure looking for her, gun in hand.

He failed to check his six, and that was all the advantage Clara needed.  She put the Makarov to his temple.

He froze without her having to say anything, and the moonlight offered her a picture of her victim. Dark hair, dark eyes. Tall. Muscular. And men just looked good in uniforms, it was a fact of life. If she had met him in a bar back home, she might have let him buy her a drink.

But they were not in a bar, and they were not back home.

She said, “Call them off or die.”

Any American who heard her speak would have said the words came out in perfect Spanish. Of course, the cop was not American; Clara had no doubt that he could identify her Cuban accent. In a way that worked in her favor.

“There are a dozen of us chasing you,” he growled back. “You can’t kill us all, that gun doesn’t have enough bullets. Reinforcements will be here any second.”

“Not if you call them off. Your radio. Use it. Move slowly, so I don’t do anything to ruin this little moment we’re having here.”

Just because they weren’t in a bar back home didn’t mean she couldn’t have a little entertainment, after all.

In reality, though, Clara sincerely hoped she didn’t have to shoot this man. The situation was bad already. Killing a law enforcement officer would make it far worse.

Sadly, the cop seemed to know that too. “Go ahead. Shoot me. The gunshot will just draw the others faster.”

If you’ve got a gun, pull the trigger.

Her old instructor’s words whispered in her memory, but Clara decided not to follow his advice. Not this time.

Rendering a human being unconscious is far harder than most people think. Not long ago, a very good instructor taught her how to do this, but then advised her never to try it. To be done successfully, the key is to impart a sudden motion to the skull that causes the brain to jostle back and forth inside it.

She said, “If we meet again, try to remember that I didn’t kill you when I could have.”

Then Clara shifted her pistol to her left hand, whipped it out of the way and drove her right fist with maximum possible force into the man’s temple, just as they taught her at the Farm. The cop crumpled to the ground. She dashed away into the night.

Review of Red Darkling by L. A. Guettler

As I understand the definition, a character driven story by is one in which the main character’s fundamental traits create the plot. Who she is determines what she does and what happens to her. If that definition is anything close to real, then Red Darkling is as character driven as character driven gets.

This picture is actually NOT NSFW

The titular character is a lovable screwup. She lives from paycheck to paycheck and, as soon as she gets that paycheck, blows it on booze and cigars. Almost the entire plot consists of tight scrapes that only happened because Red did something shortsighted. Her unerring ability to make the worst possible decision keeps landing her in hotter and hotter water until she finds herself in the hottest water of all.

It’s well-written, and the author has obviously put onto the page exactly, precisely the character she intended.

It slows down in the middle, and changes pace from action to basically action free, which reduced my enjoyment a little bit.

Sex is talked about a lot but not depicted. Some gruesome violence is hinted at but not depicted.

Get your copy by clicking here.